I found these dried plants while cycling home through a village near my home. I left my bike and lay almost flat on the ground to photograph upward against the open sky.
Ten consecutive handheld exposures were combined directly in the camera. Compared with the first image in this series, this composition has fewer stems and more empty sky, making the curled shapes easier to distinguish. Each stem carries a faint repeated outline.
The black-and-white image relates to wabi-sabi, the appreciation of imperfection, incompleteness and transience. It can be displayed with the first photograph or on its own, alongside paper, linen or unfinished wood.
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